Online conversation with Kevin Headley, Lonnie van Brummelen and Siebren de Haan
about the film Dee Sitonu a Weti / Stones Have Laws
Host: Rana Ghavami
This event is part of our programme LAND: on climate, ownership and coexistence.
You can attend this event with Zoom: zoom.us/j/98649388896
In case you don't want to install Zoom, read this manual (pdf in Dutch).
We are pleased to host a conversation between Surinamese documentary maker Kevin Headley and Dutch filmmakers Lonnie van Brummelen and Siebren de Haan about their film. Dee Sitonu a Weti / Stones Have Laws is an immersive exploration of life of a Maroon community in the former Dutch colony Suriname. Combining stories of African ancestral traditions and escaped slavery, this captivating documentary examines the devastating impact of industry on the community’s bond with the land.
The film will be available to stream from October 3, 10AM to Oct 7. Please register here to receive the streaming link by email. Advance registrants will receive the link on October 3.
Join us for the online conversation on October 7th! And please register below.
About the film: Dee Sitonu a Weti | Stones Have Laws (2018, 100 min)
They founded new communities in the Amazonian rainforest – an environment unknown to them. Here they met indigenous people who helped them survive. Building on their ancestral knowledge and on what the indigenous taught them, the Maroons developed a way of life in dialogue with the rivers, the stones and the forest.
In Stones Have Laws, we teamed up with the Surinamese theater maker Tolin Alexander to collaborate on a film project that presents the colonial history that the Netherlands and Suriname share from the point of view of the Maroons, and gives insight in their way of life, not ruled by the laws of the market but by the laws of the earth. This resulted in a four-year collaboration with the Maroon community involving storytelling, collective script-making, and performance.
In the film, the Maroons demonstrate rituals to contact ancestors and local forest spirits, and recite how foreign conquerors forced them to relocate over and again. In colonial times they battled fiercely against the Dutch colonial rule. Nowadays they confront multinationals that exploit their ancestral grounds for mining and logging. The film was presented with a mobile cinema to the community and received theatrical release in the UK, Ireland, and the Netherlands.
About Lonnie van Brummelen & Siebren de Haan
Venues where our works have been shown include Gulbenkian, Lisbon; ICA, London; Yerba Buena Center for the Arts, San Francisco; Concordia Gallery, Montreal; Extra City, Antwerp; HartWare, Dortmund; Palais de Tokyo, Paris; Argos; Brussels; Project Arts Centre, Dublin; SMBA and De Appel Amsterdam; CCA Vilnius; the Shanghai and Guangju Biennials; IAC Villeurbanne, France.
Public collections: Kunsthaus Zürich; Les Abattoirs, Toulouse; MUDAM Luxembourg; FRAC Marseille; Museum of Modern Art, New York; Julia Stoschek Collection, Düsseldorf; Hoffmann Sammlung, Berlin; Stedelijk Museum Amsterdam.
Filmfestivals (selection): IDFA; RIDM; MoMA’s Documentary Fortnight; Mar del Plata Film Festival, Argentina; Toronto International Film Festival and CPH:DOX Copenhagen.
Van Brummelen is a PhD candidate at University of Amsterdam and HKU with the research ‘Drifting Studio Practice – return of the making in the thinking’ (facilitated by ASCA (Amsterdam School for Cultural Analysis).
Lonnie van Brummelen and Siebren de Haan live and work in Amsterdam, the Netherlands.