
Online Exhibition: Body and Power(lessness)
part of: Body and power(lessness)We are excited to share with you the contributions we’ve received from students in the ArtEZ community, ranging from works that response to the questions at hand, or are connected to questions around the body and its many manifestations.
Open call for Online Exhibition Body and Power(lessness)
This is the invitation to all students to share with us your work for this online exhibition.
Blogs
We hebben verschillende blogs gepubliceerd over the Online Exhibition: Body and Power(lessness).
My mind is reductive. My body destructive.
Manifesto by Lianca van der Merwe
"My ideologies have been manipulated since birth. My mind has been corrupted but there is one thing I can always rely on - my body."
Hitchhiker Jesus
Graphic made by Kristina Miltcheva
This work called Hitchhiker Jesus takes inspiration from futurism, world building and more specifically from the sci-fi movie Tron: Legacy.
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Project van Jelmer van der Heijden, Mare Hainje, Jeroen Horjus, Ilse Lenstra
Jelmer van der Heijden, Mare Hainje, Jeroen Horjus en Ilse Lenstra namen tijdens de RAT-dag in Zwolle op maandag 7 maart deel aan de workshop door Rabiaâ Benlahbib, georganiseerd door ArtEZ Studium Generale. Het resultaat was deze bijdrage aan de online tentoonstelling Lichaam en (on)Macht.
Videos
We hebben verschillende video's gepubliceerd over the Online Exhibition: Body and Power(lessness).
Neurodiversity
by Floris Grondman and Stephanie Luka
We have invited Floris Grondman and Stephanie Luka, students at the Master of Arts in Education in Zwolle, to share their work. They have been working on a special research project on neurodiversity.
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Short dance film by Daria Titova and Ekaterina Konovalova
This short dance film is part of our online exhibition Body & Power(lessness). It is made by Daria Titova (4th year Dancer/Maker) and Ekaterina Konovalova (4th year Graphic Design).
Artikelnummer 803.319.73
LAB-performance Mel Kikkert
Mel Kikkert: “My research started from the theme of loneliness. I started my process by thinking in physical artworks, especially performance and installation art. A central question in the beginning was: what makes for ‘failed’ and ‘successful’ contact?