Lonnie van Brummelen & Siebren de Haan work together as collaborating artists since 2002, producing film installations, sculpture and collages that explore cultural and geopolitical landscapes such as Europe’s borders (Grossraum, 2005), sites of resource production and global trade (Monument of Sugar – how to use artistic means to elude trade barriers, 2007; Episode of the Sea, 2014, Stones Have Laws, 2018), and the (non) sites of cultural heritage (Monument to Another Man's Fatherland, 2008, View from the Acropolis, 2012 and subi dura a rudibus, 2010). Most of our projects involve extensive fieldwork and long term collaborations. As part of our artistic practice, we express formal and informal research trajectories and the contingency of fieldwork in textual supplements.
