K&A: How to reshape, reimagine, reconstruct true justice?

Video essay Future Justice: an inquiry into the way things are/were/should be

video
topic: Future Justice
1 soundscape, 2 voices, pondering over the concept of future justice… not an individual decision… rather a collective answer… past, present and future are interconnected… but how to reshape, reimagine, reconstruct true justice...? Watch the video essay of artist duo K&A for the Future Justice series.

K&A, formed by Karla Isidorou & Alexandra Bellon, is a dazzling duo mixing their different backgrounds and their complex cultural roots they spread poetical & political concepts. Their mobile studio and stage fluctuate between variable combinations of latitudes and longitudes. Urban & rural territories, in which borders are alive, appearing and disappearing, magnetize their artistic practice. Within K&A the single signature is killed. What stays is the space in between. K&A create the tools to blurry the distance in between, to make the void full. Their work has present at PQ2019(CZ), Sitting Shotgun(NYC), ICAF(NL), AMOQA(GR), MCBA(CH) etc. 
www.k-and-a.co
About Future Justice
'Future Justice' is a programme that invites young artists, researchers and educators to help unpack the idea of a future that is based on justice. Out of deep concern for the world, which is marked by a climate crisis as well as a social and political crisis, ArtEZ studium generale commissioned the publication series 'Future Justice'.

It is a series of publications in which students and alumni of ArtEZ present their visions of the future. 'Future Justice' aims at unfolding alternative ideas of justice, which are informed by ideas of collectivity, care, restoration, non-violence and compassion. In doing so, the series takes a kaleidoscopic, hopeful and meaningful look at the future.

'Future Justice' is a programme commissioned by ArtEZ studium generale it is carried out by the ArtEZ Professorship Aesthetics & Cultures of Technology in cooperation with the ArtEZ Honours Programme.
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