How to Be With Plants?
With Lobke Meekes and Irene Urrutia
How does a plant live and feel? What can we learn from plants? And how can experience, conversations, and art help us explore new ways of understanding and living in connection? In this brand new podcast visual artist and master’s student Education in Arts Lobke Meekes and Mexican/Canadian researcher and curator Irene Urrutia will explore our relationship to plants.
Inspired, want to know more? Then check in at their online workshop on April 22, on worldwide Earth Day.
Small collection of touching, surprising, and inspiring plant artworks
Yaavi (2015) is a documentary film directed by Armando Bautista Guerrero; Dutch/Mixtec filmmaker Itandehui Jansen is director of photography. It was filmed in Oaxaca, Mexico, and features both agave plants and an elderly human couple, Erasmo Bautista and Esperanza García. “When one takes a living being for consumption, one has to ask for permission first. That is the way of the ancestors.” - Imdb. Watch the full film here: vimeo.com/223829085
Treeline: The Secret Life of Trees (2019) is a film by Patagonia Films available in full on YouTube. “Follow a group of skiers, snowboarders, scientists and healers to the birch forests of Japan, the red cedars of British Columbia and the bristlecones of Nevada, as they explore an ancient story written in rings.” - Patagonia Films. Watch the full film here: www.youtube.com/watch?v=YCEaYInJbos (40 min)
Music and audio
Tree Tree (2020) is a song by Nynke Laverman, from her “slowly growing” album titled Plant.Watch the music video here: youtu.be/jS_2uGBi_N8 (Video by Douwe Dijkstra). We also recommend a podcast by Nynke and Lex Bohlmeijer. Every time she releases a number of her Plant album, the podcast features an interview with someone who inspires her. You can find the episodes in your podcast feed by searching for Nynke Laverman or The Correspondent.
Skotopoiesis (meaning “shaped by darkness”) was a 2015 performance by Špela Petrič. It was an exercise in confronting “vegetal otherness”: the artist stood, inmobile, between a source of light and a square of dirt seeded with cress for about 19 hours. Over time, the plants grew shaped by her shadow, while the artists’ body shrunk slightly due to loss of fluids in her intervertebral disks.
Inoculate was a 2013 performance by Ana María Gómez López. The artist successfully germinated a small begonia plant within a silicone punctal plug, placed in her tear duct. As Ana María lay still on a makeshift bed and facing a skylight, the moisture from her body enabled the plant to grow.
Annegret KellnerIn her Herbarium series, Annegret points at a moral issue with a crushed plant. When (exotic) plants are removed from the ground for research and study, it is acceptable to press and squash them. But if you treat your exotic houseplant in the same way, the result is shocking: it almost looks like domestic violence.
The Vigor series has a more ironic slant. “A rustling houseplant probably looks a bit clumsy,” she says, “but as the viewer experiences the fact that vibrations from an exercise bike are endless when no one intervenes, then the martyrdom of the plant comes into the picture.”
The potted plant has no choice over its whereabouts. At the same time, the plant might actually be stimulating it, making juices flow faster, or roots become thicker for support. Is the contrast or conflict between plants and humans lessened?
By Irene Urrutia, Mexican-Canadian curator and researcher, and Lobke Meekes, visual artist and master’s student Education in Arts, ArtEZ Zwolle
workshop22 Apr '21